On and off throughout the evening and this morning, I have been tearing up knowing that I will never again hear the voice of Owain Phyfe singing from across the merchant space at SCA events. Sadly, he succumbed to a sudden and recent illness.
One of the sincerest gifts that the SCA offers is the opportunity to cross paths with people from across the world that you might otherwise never have the chance to meet. There, at random times in random places, you may find yourself exposed to someone with such a rare and unique talent that you stop in your tracks, moved sometimes to the point of tears by the superb majesty that is an otherwise ordinary person’s incredible talent. For me personally, I have experienced this wonder many times. I think of the humble and little old woman sitting quietly and discretely in the merchant area. Her gnarled hands betray a lifetime of hard work in the cragged and distorted tendrils that are her fingers. Yet, despite the pain that she must feel in each and every day, she is able to pick up delicate little bobbins all hanging from spider-web like floss. And with a practiced precision, her hands weave back and forth creating the most beautiful and delicate lace that I have ever seen – the likes of which the Kings from long-ago portraits would have worn. When that old woman dies, who will be left to continue this bygone art?
Then there is the very gaunt and otherwise non-descript middle-aged man that you may have just passed while meandering to the next pavilion. You cannot help but eavesdrop as he proudly shows a friend a book that he has just completed – no… not reading… making. As he opens the cover, bound in a beautiful leather, your eyes catch the expertly calligraphed words, associating themselves with magnificent illumination. Yes, every page was hand decorated. Yes, he made his own pigments. Yes, he bound the book himself. Yes, he tooled the leather cover. And yes, you want to drop to your knees at the sense of overwhelm in that an otherwise average-appearing person is capable of creating something of such an incredible nature.
The SCA has gifted me with so many of these moments, it would make for an exceptionally long posting for me to even gloss them all – which would be an insult to the many inspiring people whose paths I have crossed. But for today, I will focus on one such person – dear Owain Phyfe.
I cannot remember how many years ago I first heard his voice, but I remember the moment distinctly. I was driving to a friend’s house, and listening to my favorite radio show – Music of the Isles. A combination of Irish pub songs and Renn Faire type music, my friends and I were all pretty much regular Thursday night fans. As the DJ finished describing the previous series of songs, he began to speak of a relatively new band that performed music from the time of Henry VIII and the like. “Erugh????” I thought to myself. “Yeah! Ye Olde Musicke!” Still fairly green in the SCA myself, I didn’t know didly-squat about period music (and still really don’t), but I know that I wanted to hear it. I turned up the volume. And then, as the music began to play, I found myself simply spellbound. The mellow instrumentation filled the air like a perfumed incense wafting slow and subtle. And then slowly fading in, a voice as mild and smooth and mellow as the slow string of a single violin began a serenade.
I felt myself almost melt listening to that voice.
The radio aired a couple of songs from the New World Renaissance Band that evening, and I knew I would have to track them down. And sure enough, as soon as I got to my friend’s house, I called the radio station to find out who they were.
Now just imagine, kittens. This was back before Amazon.Com. This was before widespread internet. Back then, we had to rely upon record stores. And ya… good luck finding an independent label that specialized in music of the Renaissance! Fortunately, the DJ had a copy of the CD (also relatively new things back then), and it listed the address of the recording studio. Over the next couple of weeks, I had written to them and had gotten a response, along with a phone number. I figured it would be much easier to just call them to see what I could order. I figured the number would lead to some Great Big Huge Professional Recording Studio. But no. After three rings, a man picked up the phone and greeted me with a distinctly smooth-voiced, “Hello.” It was the lead singer! We chatted for a little while, as I tried my best (And failed) to hide my awkward star-struck geek-enthralled state.
I ordered the CD’s of the New World Renaissance Band, and also the solo album “Sweet was the Song.” And there, I gained inspiration. Nestled within the various recordings was a beautiful little Italian ditty called “Se L’Aura Spira”. Catchy, cute, and from the late Renaissance, the tune encourages the listener to enjoy the Spring through dance. And what better way to pay tribute to such a song than to dance to it!
Over the years, I choreographed a number of dances within the SCA, but none was as good as the bazzadanza that I created for this tune. My dance partner and I performed the dance at a Coronation feast about a year or so after I had heard the tune for the first time. For me, that was one of my greatest moments in the SCA – at least up until that point. But little did I know what was in store.
Later that year, I found myself at Pennsic War. I hustled up the hill (back in the days when I COULD hustle up the hill) to meet a friend and grab dinner. I had to get changed, and was on the verge of running late. But then out in the distance, I heard Owain Phyfe’s voice. “Oh,” I thought to myself. “How nice. Someone is playing one of his CD’s.” But then, I picked up on some improve that I knew was not on the album. “WAIT A MINUTE!!!!!!” I thought to myself. “That ain’t no CD! That’s HIM!!!!!! He’s HERE!!!!! Somewhere, he’s here!!!!!!!!!! OMG! OMG! OMG!!!!!!”
The merchant area was packed, as people were gathering towards the food courts for dinner. I couldn’t see him… but I could hear him. So I followed his voice. And there, sitting quietly in the corner of a food merchant awning, a small, modest, non-descript bard played his guitar, and crooned with the unmistakable velvet voice that was every bit as beautiful live as on the CD’s. I stood there, enthralled… hypnotized… unable to move… unable to do anything but follow wherever his voice led me.
Fast-forward to later that evening. I told all my friends who were there about my good fortune, and they too all wanted to meet him and hear him perform live – including my dance partner who was also there. As luck had it, it happened to be Wednesday night – midnight madness. And as luck would have it, he was performing live for one of the merchants. I had previously related to Owain the fact that I had choreographed a dance to his tune. And modestly, he said to me that he had wanted to see it. As my partner and I arrived, he spied me through the crowd and smiled as he sang. I knew he wanted us to dance right then and there. OMG! OMG! OMG! So we moved our way through the crowd. At the end of his song, he asked the crowd to kindly back up and to make a bit of room, as there would be a dance. That is when my partner and I moved up, and he began the unmistakable entrade chords to the tune. There, under a starry and meteor-streaked sky, lit by the flickering light of torches, surrounded by period pavilions, and a very large crowd that had gathered, I experienced one of the greatest and most fulfilling moments I have ever had in my life, dancing a dance that I had choreographed to the live singing of a truly gifted singer.
Dear Owain, you touched my artistic soul. You inspired me. You opened a door for my creativity. You are one of my best memories. And you made this game of ours a much better place. We have truly lost one of our greatest gems. “Sweet was the Song” when you were able to sing it.
The years will flow for you dear muse. Your loss breaks my heart.
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