>noon de-stress
Jul. 6th, 2005 01:40 pm![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png){kind=small}
storytimewithjoeAhhhhh.... a lunch break of de-angstifying myself. (De-angstifying? Is that a word? Oh who cares... you know what I mean!)
The weather outside right now is just stellar. It is perfectly sunny, with a light breeze in the mid-70's. Having picked up a baguette from Starbucks, I sat out in my Jeep and spent my break stitching away on my new Italian Renn. sleeve. I probably won't be done with this project for at least 6 months or so, but when it is done, it should look pretty darned spiff (I hope!)
There is something really relaxing about needlework. Of course, I find that ironic. I remember WAAAAY back years ago when I first tried embroidery. It made my blood boil. I just couldn't make things work, the thread kept knotting, and it was just a nightmare. Nowadays, I have a steady control over the needle, and things just flow gorgeously.
The big challenge on this project is the size. Typically, I am a very tense embroiderer (made so because I am a tense person). As a result, my stitching is very dense, very tight, and it warps the fabric. Normally, I embroider my pieces on a neutral background held in place in a drum-tight frame. Not so on this project. I am embroidering directly on the final velvet ground of a sleeve. Not only can I NOT embroider too tightly, as the fabric will pucker, but I cannot put the fabric tightly in a frame. This is unexplored territory for me. So far so good, but it is early yet.
On the plus side, I have identified another area of cross-medium art application. (What the F*#%$ did I just say?) Long story short, in the past whenever I have *shaded* an area in a design, I have always either varied the stitches or the directional technique to create a play of light. I have never shaded using different colors because, frankly, I just didn't get it. Well, thanks to the illumination pieces that I have been working on lately, I think I have a better grasp of shading, and how it works. I have used what I have learned by painting in my stitching. And so far, so good! I'm pretty pleased thus far. But I have a long, long, long way to go.
Well, it isn't about the destination - it is about the journey.
The weather outside right now is just stellar. It is perfectly sunny, with a light breeze in the mid-70's. Having picked up a baguette from Starbucks, I sat out in my Jeep and spent my break stitching away on my new Italian Renn. sleeve. I probably won't be done with this project for at least 6 months or so, but when it is done, it should look pretty darned spiff (I hope!)
There is something really relaxing about needlework. Of course, I find that ironic. I remember WAAAAY back years ago when I first tried embroidery. It made my blood boil. I just couldn't make things work, the thread kept knotting, and it was just a nightmare. Nowadays, I have a steady control over the needle, and things just flow gorgeously.
The big challenge on this project is the size. Typically, I am a very tense embroiderer (made so because I am a tense person). As a result, my stitching is very dense, very tight, and it warps the fabric. Normally, I embroider my pieces on a neutral background held in place in a drum-tight frame. Not so on this project. I am embroidering directly on the final velvet ground of a sleeve. Not only can I NOT embroider too tightly, as the fabric will pucker, but I cannot put the fabric tightly in a frame. This is unexplored territory for me. So far so good, but it is early yet.
On the plus side, I have identified another area of cross-medium art application. (What the F*#%$ did I just say?) Long story short, in the past whenever I have *shaded* an area in a design, I have always either varied the stitches or the directional technique to create a play of light. I have never shaded using different colors because, frankly, I just didn't get it. Well, thanks to the illumination pieces that I have been working on lately, I think I have a better grasp of shading, and how it works. I have used what I have learned by painting in my stitching. And so far, so good! I'm pretty pleased thus far. But I have a long, long, long way to go.
Well, it isn't about the destination - it is about the journey.
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no subject
Date: 2005-07-06 09:10 pm (UTC)Congratulations! You're at the "Synthesis" and "Evaluation" levels of your work!
Look "Bloom's Taxonomy", which describes the various levels of Educational Achievement that a student of any discipline will progress through. As a teacher, I gear my work with students based upon these levels to further their grasp of new material through assimilation and then Bloom's Taxonomy.
http://www.coun.uvic.ca/learn/program/hndouts/bloom.html
http://faculty.washington.edu/krumme/guides/bloom1.html
Both of those pages help explain the usefulness of the taxonomy, as well. This is my area of study, "Metacognition": learning how one learns.
Jen
no subject
Date: 2005-07-06 09:11 pm (UTC)no subject
Date: 2005-07-06 09:14 pm (UTC)(So there~ Nyaah.)
no subject
Date: 2005-07-06 09:35 pm (UTC)That reminds me of one of my favorite poems by e e cummings;
seeker of truth
follow no path
all paths lead where
truth is here
no subject
Date: 2005-07-06 10:43 pm (UTC)no subject
Date: 2005-07-06 10:01 pm (UTC)